People have different views, you might say, of different aspects of the strike.
Here's Calimac, on the one hand, relieved he's not reviewing the Mahler 9, on the other hand, supportive of the players on principle. I'm pro-labor myself, and I believe musicians should be compensated like the highly-skilled pros they are. (In answer to his questions, yes, I do know what Brent Assink and MTT make.) But striking over what looks like a few thousand a year (see Janos's article today) when the orchestra is in great shape financially, playing well, etc. just seems....counterproductive. I have some comments elsewhere on this blog about why the practice space issue might not be easy to solve. I do agree that all things considered, orchestras should make every effort to accommodate musicians who can't just take their instruments home on MUNI.
Over at A Beast in a Jungle, John Marcher was copied on an entertaining rant. The line about Mark Inouye made me laugh.