Sticking It Out is a memoir by percussionist Patti Niemi, who has been a member of the San Francisco Opera Orchestra since 1992. I'm just catching up with the book, which was published in 2016.
If you're interested in how those folks in an orchestra got there, I highly recommend reading Sticking It Out. Niemi is a terrific writer, by turns wry, funny, poignant, and heartbreaking. And what she has to say about how she got to SFO is realistic about what anyone striving for a career as a professional musician goes through: the practicing, the teachers (good and bad, for varying reasons), the practicing, the personal doubts, the practicing, the friends, the practicing, the conductors (good and bad), the practicing, the injuries, the practicing, the anxieties, the auditions. And, finally, the practicing.
Because that is what they do, anything from four to twelve hours a day, even though most aspiring musicians, including those at conservatories like Juilliard, aren't going to have professional careers. There are too many musicians trying for too few jobs.
You'll read about how auditions work (or don't, because even with supposedly anonymous auditions, it's weird how many jobs go to people who studied with a teacher in the orchestra; see Katherine Needleman's Substack or Facebook posting for more about this). You'll read about beta blockers. You'll read about percussion instruments. You'll read about the New World Symphony's early years, with glimpses of Michael Tilson Thomas (Niemi was a member for the first four years).
You'll read about a dedicated musician and her particular path to a career. If you want to know more, see Patti Niemi's website, which has interviews, podcasts, and a link to her cat's Instagram account.