Weekend One, August 13—15: Berg and Vienna
Friday, August 13
PROGRAM ONE
Alban Berg: The Path of Expressive Intensity
Sosnoff Theater
7:30 pm Pre-concert talk: Leon Botstein
8:00 pm Performance: Daedalus Quartet; Jeremy Denk, piano; Danny Driver, piano; Alexander Fiterstein, clarinet; Lisa Saffer, soprano; Pei-Yao Wang, piano; Bard Festival Chamber Players
In memory of George Perle
Alban Berg (1885–1935)
Seven Early Songs (1905–08)
Piano Sonata, Op. 1 (1907–08)
Four Pieces, for clarinet and piano (1913)
Lyric Suite (1925–26)
Johann Strauss II (1825–99)
Wein, Weib, und Gesang, Op. 333 (1869, arr. Berg, 1921)
Tickets $20/35/45
Saturday, August 14
Panel
Berg: His Life and Career
Olin Hall
10:00 am—12 noon
Christopher H. Gibbs, moderator; Christopher Hailey; Douglas Jarman; and others
Free and open to the public
PROGRAM TWO
The Vienna of Berg’s Youth
Olin Hall
1:00 pm Pre-concert talk: Mark DeVoto
1:30 pm Performance: Alessio Bax, piano; Daedalus Quartet; Pei-Yao Wang, piano; and others
Alban Berg (1885–1935)
Selections from early piano works and songs
Alexander Zemlinsky (1871–1942)
Fantasies on Poems by Richard Dehmel, Op. 9 (1898)
Five Songs (Dehmel) (1907)
Karl Weigl (1881–1949)
String Quartet No. 3 in A major (1909)
Anton Webern (1883–1945)
Piano Quintet (1907)
Joseph Marx (1882–1964)
Valse de Chopin (1909)
Tickets: $35
PROGRAM THREE
Mahler and Beyond
Sosnoff Theater
7:00 pm Pre-concert talk: Christopher H. Gibbs
8:00 pm Performance: Christiane Libor, soprano; Akiko Suwanai, violin; American Symphony Orchestra, conducted by Leon Botstein, music director; and others
Alban Berg (1885–1935)
Fünf Orchesterlieder nach Ansichtskartentexten von Peter Altenberg, Op. 4 (1912)
Three Pieces for Orchestra, Op. 6 (1914–15)
Violin Concerto (1935)
Gustav Mahler (1860–1911)
Adagio, from Symphony No. 10 (1910)
Hans Pfitzner (1869–1949)
“Abend” and “Nacht,” from Von deutscher Seele, Op. 28 (1921)
Erich Wolfgang Korngold (1897–1957)
Prelude and Carnival Music, from Violanta, Op. 8 (1914)
Tickets: $ 25/40/55
Sunday, August 15
PROGRAM FOUR
Eros and Thanatos
Olin Hall
10:00 am Performance with commentary by Byron Adams
Works by Alban Berg (1885–1935), Johann Strauss II (1825–99), Richard Strauss (1864–1949), Arnold Schoenberg (1874–1951), Franz Schreker (1878–1934), Alma Mahler (1879–1964), Friedrich Hollaender (1896–1976), Erich Wolfgang Korngold (1897–1957)
Tickets: $30
PROGRAM FIVE
Teachers and Apostles
Olin Hall
1:00 pm Pre-concert talk: Sherry D. Lee
1:30 pm Performance: Alessio Bax, piano; Marnie Breckenridge, soprano; Cygnus Ensemble; Daedalus Quartet; Danny Driver, piano; Soovin Kim, violin
Alban Berg (1885–1935)
String Quartet, Op. 3 (1910)
Arnold Schoenberg (1874–1951)
Six Piano Pieces, Op. 19 (1911)
Anton Webern (1883–1945)
Four Pieces, for violin and piano, Op. 7 (1910)
Egon Wellesz (1885–1974)
Three Piano Pieces, Op. 9 (1911)
Sandór Jemnitz (1890–1963)
Trio, for guitar, violin, and viola, Op. 33 (1932)
Viktor Ullmann (1898–1944)
Variations and Double-Fugue on a Piano Work by A. Schönberg, Op. 3a (1929)
Hans Erich Apostel (1901–72)
Variations from Lulu (1935)
Theodor W. Adorno (1903–69)
Six Bagatelles, Op. 6 (1923–42)
Tickets: $35
PROGRAM SIX
The Orchestra Reimagined
Sosnoff Theater
5:00 pm Pre-concert talk: Antony Beaumont
5:30 pm Performance: Jeremy Denk, piano; Soovin Kim, violin; members of the American Symphony Orchestra, conducted by Leon Botstein, music director
Alban Berg (1885–1935)
Kammerkonzert (1923–25)
Ferruccio Busoni (1866–1924)
Berceuse élégiaque, Op. 42 (1909; arr. Stein, 1920)
Arnold Schoenberg (1874–1951)
Chamber Symphony No. 1, Op. 9 (1905–06)
Paul Hindemith (1895–1963)
Kammermusik No. 1, Op. 24/1 (1921)
Tickets: $20/35/45
Weekend Two, August 20—22: Berg the European
Friday, August 20
SYMPOSIUM
Rethinking the Modern
Multipurpose room, Bertelsmann Campus Center
10:00 am—12 noon
1:30 pm—3:30 pm
Garry Hagberg, moderator
Free and open to the public
PROGRAM SEVEN
“No Critics Allowed”: The Society for Private Performances
Sosnoff Theater
7:30 pm Pre-concert talk: Tamara Levitz
8:00 pm Performance: Frederika Brillembourg, mezzo-soprano; Randolph Bowman, flute; Miranda Cuckson, violin; John Hancock, baritone; Blair McMillen, piano; Daniel Panner, viola; Anna Polonsky, piano; Orion Weiss, piano; Bard Festival Chamber Players
Alban Berg (1885–1935)
Four Songs, Op. 2 (1909–10)
Claude Debussy (1862–1918)
Prélude à l’après-midi d’un faune (1891–94; arr. Sachs, 1921)
Max Reger (1873–1916)
Serenade, for flute, violin, and viola, in G major, Op. 141a (1915)
Maurice Ravel (1875–1937)
La valse (1919–20, arr. 2 pianos)
Béla Bartók (1881–1945)
14 Bagatelles, Op. 6 (1908)
Karol Szymanowski (1882–1937)
Romance, for violin and piano, Op. 23 (1910)
Igor Stravinsky (1882–1971)
Piano-Rag Music (1919)
Berceuses du chat (1915)
Josef Matthias Hauer (1883–1959)
Nomos, Op. 2 (1913)
Tickets: $20/35/45
Saturday, August 21
PROGRAM EIGHT
You Can’t Be Serious! Viennese Operetta and Popular Music
Olin Hall
10:00 am Performance with Commentary by Derek B. Scott
Works by Alban Berg (1885–1935), Johann Strauss II (1825–99); Arthur Sullivan (1842–1900); Franz Lehár (1870–1948), Emmerich Kálmán (1882–1953), and others
Tickets: $30
PROGRAM NINE
Composers Select: New Music in the 1920s
Olin Hall
1:00 pm Pre-concert talk: Marilyn McCoy
1:30 pm Performance: Paolo Bordignon, harpsichord; Miranda Cuckson, violin; Ilana Davidson, soprano; FLUX Quartet; Robert Martin, cello; Blair McMillen, piano; Orion Weiss, piano; Bard Festival Chamber Players; and others
Alban Berg (1885–1935)
Adagio, from Kammerkonzert, arr. for piano trio (1923–25; arr. 1935)
Manuel De Falla (1876–1946)
Concerto, for harpsichord, flute, oboe, clarinet, violin, and cello (1923–26)
Alfredo Casella (1883–1947)
Sinfonia, for piano, cello, clarinet, and trumpet, Op. 53 (1932)
Ernst Toch (1887–1964)
Quartet for Strings No. 11, Op. 34 (1924)
Alois Hába (1893–1973)
Quartet for Strings No. 2, in the quarter-tone system, Op. 7 (1920)
Erich Wolfgang Korngold (1897–1957)
Four Little Caricatures for Children, Op. 19 (1926)
Hanns Eisler (1898–1962)
Tagebuch des Hanns Eisler, Op. 9 (1926)
George Gershwin (1898–1937)
Three Preludes for Piano (1926–26)
Tickets: $35
PROGRAM TEN
Modernism and Its Discontent
Sosnoff Theater
7:00 pm Pre-concert talk: Christopher Hailey
8:00 pm Performance: Christiane Libor, soprano; Frederika Brillembourg, mezzo-soprano; Thomas Cooley, tenor; James Taylor, tenor; Robert Pomakov, bass-baritone; Bard Festival Chorale, James Bagwell, choral director; American Symphony Orchestra, conducted by Leon Botstein, music director
Alban Berg (1885–1935)
Der Wein (1929)
Franz Schmidt (1874–1939)
Das Buch mit sieben Siegeln (1935–37)
Tickets: $25/40/55
SUNDAY, AUGUST 22
PANEL TWO
Music and Morality
Olin Hall
10 am – 12 noon
Christopher Hailey, moderator; Leon Botstein; Klara Moricz; and others
Free and open to the public
PROGRAM ELEVEN
Between Accommodation and Inner Emigration: The Composer’s Predicament
Olin Hall
1:00 pm Pre-concert talk: Richard Wilson
1:30 pm Performance: Ilana Davidson, soprano; John Hancock, baritone; Anna Polonsky, piano; Bard Festival Chamber Players
Alban Berg (1885–1935)
Schliesse mir die Augen beide (1925)
Othmar Schoeck (1886–1957)
Notturno, Op. 47 (1931–33)
Ernst Krenek (1900–91)
Durch die Nacht, song cycle, Op. 67a (1930–31)
Karl Amadeus Hartmann (1905–63)
Quartet for Strings No. 1, “Carillon” (1933)
PROGRAM TWELVE
Crimes and Passions
Sosnoff Theater
4:30 pm Pre-concert talk: Bryan Gilliam
5:30 pm Performance: Christiane Libor, soprano; Lisa Saffer, soprano; Frederika Brillembourg, mezzo-soprano; Brian Stucki, tenor; Philip Horst, bass-baritone; Bard Festival Chorale, James Bagwell, choral director; American Symphony Orchestra, conducted by Leon Botstein, music director; and others
Alban Berg (1885–1935)
Three Fragments from Wozzeck (1924)
Lulu Suite (1934)
Paul Hindemith (1895–1963)
Sancta Susanna, Op. 21 (1921)
Kurt Weill (1900–50)
Royal Palace, Op. 17 (1925–26)
Tickets: $25/40/55
I'd go to Program 8.
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