- Anne Midgette, Washington Post
- Anthony Tommasini, NY Times. He's kinda cranky, and this caught my eye in particular: "But the production weighed it down. Given Mr. Gelb’s determination to make opera relevant, one might think that this, of all works — it’s set, after all, in Gaza — would scream for an updated concept." C'mon, Tony - that's The Death of Klinghoffer, and you know what happened when the Met produced that opera.
- Justin Davidson, NY Mag / Vulture. The one I wish I'd written.
- Christopher Corwin, Parterre Box
Lisa Hirsch's Classical Music Blog.
The iron tongue of midnight hath told twelve. Lovers, to bed; 'tis almost fairy time.
Berce mollement sur ton sein sublime
Ô puissante mer, l’enfant de Dindyme!
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Wednesday, September 26, 2018
Compare and Contrast 36: Met Opening Night Samson and Dalila
An amusing, sort of, group of reviews:
That Justin Davidson review is wonderful.
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