I drafted this blog post in January, 2019, so, four years ago. I have no idea why I never published it. So, for your amusement, my look back at 2018:
Local news story of the year: In an amazing coup, Esa-Pekka Salonen will be the next music director of San Francisco Symphony.
Second biggest local surprise of the year (after E-PS): Nic McGegan to retire after 30-odd years as music director of Philharmonia Baroque.
Local non-story of the year: Two and a half years after the announcement of Nicola Luisotti's departure from San Francisco Opera, there's no new music director in sight.
Favorite local cast changes: Irene Theorin stepping in for Evelyn Herlitzius in the SFO Ring, on almost no notice, and singing the heck out of Brünnhilde; Music Director Designate Salonen stepping into the concerts vacated by MGT, and being Salonen, MDD, improving the program.
Big news (mostly) elsewhere: Abusive behavior resulted in the firings, resignations, or suspensions of James Levine (Met), Daniele Gatti (Royal Concertgebouw....but the Rome Opera hired him not long after, astonishingly), Charles Dutoit (after more than 20 years of stories! was fired from or withdrew from engagements with eight different orchestras, as well as being fired ("stepped down") from the Royal Philharmonic, where he was music director, but....he now has a job in Russia), David Daniels (famed countertenor), William Preucil (teacher; longtime concertmaster of the Cleveland Orchestra), D. Kern Holman (musicologist), Massimo La Rosa (principal trombone of the Cleveland Orchestra), Stephen Shipps (chair of the string dept. at UMich), organist James David Christie, maybe principal oboist Lian Wang and associate principal trumpet player Matthew Muckey of the NY Philharmonic (the Phil was vague about why they were fired).
Two points about the above list:
1. That's a long list of prominent men.
2. There are more predators out there.
Better big news elsewhere, although....: Lots of conductor turnover, but somehow women still aren't being appointed to many highly visible positions, while some conductors have multiple prestigious appointments. Yes, I'm looking at you, Andris Nelsons, and you, Yannick Nezet-Seguin. There's so much talent out there that double appointments are not necessary or a good idea. I don't believe that even the youngish and energetic can adequately manage a big-budget orchestra and the Metropolitan Opera.
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