Still, they're doing some interesting music, and one might hope that it is indicative of what might be coming up for the company.
Details:
Friday, November 22, 7:30 p.m., Taube Atrium Theater
Tuesday, December 3, noon, Old St. Mary's, 660 California Street, San Francisco (short version of the program below)
Program:
Act I Villagers’ Chorus (“Quel jour serein”) from Guillaume Tell
Gioachino Rossini (1792–1868)
Act IV Prayer (“Des cieux où tu resides”) from Moïse et Pharaon
Gioachino Rossini (1792–1868)
Act I Drinking Chorus (“Evviva! Beviam!”) from Ernani
Giuseppe Verdi (1813–1901)
Act IV Chorus (“O come felici”) from Ernani
Giuseppe Verdi (1813–1901)
Nuns’ Chorus (“Ave Maria”) from Suor Angelica
Giacomo Puccini (1858–1924)
Finale (“O gloriosa virginum”) from Suor Angelica
Giacomo Puccini (1858–1924)
Act I Chorus of Peasant Girls (“Dyevitsyi, krassavitsyi”) from Eugene Onegin
Pyotr Ilyich Tchaikovsky (1840–1893)
Procession of the Nobles (“Slava, voisslavye knyazhnye!”) from Mlada
Nikolai Rimsky-Korsakov (1844–1908)
Roman Carnival Chorus from Benvenuto Cellini
Hector Berlioz (1803–1869)
Final Scene from Dialogues des Carmélites
Francis Poulenc (1899–1963)
Opening chorus from Erschallet, Ihr Lieder (Cantata 172)
Johann Sebastian Bach (1685–1750)
“Morning Hymn” and “Alleluia” from The Sound of Music
Richard Rodgers (1902–1979)
“Sure on This Shining Night”
Samuel Barber (1910–1981)
“Northern Lights”
Ola Gjeilo (born 1978)
Come unto These Yellow Sands
Amy Beach (1867–1944)
“Alway Something Sings”
Dan Forrest (born 1978)
“Gondoliera” from Drei Gemischte Chöre
Clara Schumann (1819–1896)
Spiritual (“What Can That Shadow Be?”) from Colonel Jonathan the Saint
Dominick Argento (1927–2019)
“The Rose”
Ola Gjeilo (born 1978)
“My Guardian Angel”
Judith Weir (born 1954)
“Jerusalem”
Charles Hubert Hastings Parry (1848–1918)
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