One more thing about process. One does not get paid for writing musicology journal articles, in case you didn’t know this. (One also doesn’t typically get paid for peer reviewing journal articles.) The idea, in theory, is that it’s part of your regular intellectual work as a scholar, and that if you work at a research university — as I do — your salary goes towards the labor of journal article-ing. For me, that’s actually true; it’s not, though, for adjunct professors who are paid per-course and do not receive any kind of funding towards research. But they publish nonetheless, out of career necessity and out of the fact that it is a vital service that scholars offer to the world: the generation of knowledge!!! So that’s a broken part of this system.
The extremely broken part of this system is that we live in a bullshit corporate capitalist world in which we generate new intellectual ideas for free — sometimes, as in my case, with my salary coming from the public (I’m a professor at a public university) — and they are edited by non-profit journals, and then they are hidden behind paywalls that charge the public anywhere from $30 to $1000+ to read them. These paywalls are run by for-profit conglomerates that make massive amounts of money despite contributing very little to this ecosystem; if anything, they inhibit our research, rather than make it more possible. If you are an independent scholar or adjunct or at a smaller university, you or your library may not be able to afford multi-million-dollar subscriptions to journal databases, and you are thus shut out of doing crucial research. We need to put pressure on journals, academic societies, and publishers to embrace open access approaches, and to look to alternative, publicly accessible models instead of a garbage system that extracts profits from our unpaid labor.
All of that said, a tip for those who are working in the broken system but want to make sure that their articles can still be read: for the journal articles I’ve published thus far, I’ve asked the editors if they would request the publisher to make the article open access, at least for a limited amount of time. I’ve made this pitch by citing my number of twitter followers and public presence, and that it would be good publicity for the journal. Almost everyone has said yes, which is why you can read my MQ article. It obviously seems to work, as my new article is now MQ’s most popular read.
The above text is copyright William Robin, 2019. You can subscribe to Industry by clicking this link.
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