On Monday, for the first time in its 138-year history and as it returned from an 18-month closure, the Metropolitan Opera presented a work by a Black composer: Terence Blanchard’s “Fire Shut Up in My Bones.” By opening the season with this work, the Met filled a gaping hole in its repertory at a time when the performing arts are rightfully being challenged to become more diverse.
Here are all of the operas that the Metropolitan Opera has performed that weren't written by white men:
- Der Wald, Ethel Smyth (2 performances)
- L'Amour de Loin, Kaija Saariaho (8 performances)
- The First Emperor, Tan Dun (12 performances)
- Fire Shut Up in My Bones, by Terence Blanchard (7 performances)
That's 29 performances, total, of four operas. For contrast, looking at the Met's repertory report, La Boheme has gotten a total of 1344 performances, Aida 1175, and, scrolling way down past dozens of works, La Damnation de Faust and Der Freischütz have each gotten 30.
Staging Fire Shut Up in My Bones isn't filling a gaping hole. It is going to take years to do much about those gaping holes.
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