Iron Tongue of Midnight
Lisa Hirsch's Classical Music Blog.
The iron tongue of midnight hath told twelve. Lovers, to bed; 'tis almost fairy time.
Berce mollement sur ton sein sublime
Ô puissante mer, l’enfant de Dindyme!
Friday, July 26, 2024
Thursday, July 25, 2024
Forthcoming from Raehann Bryce-Davis
Wednesday, July 24, 2024
News from AFM 802, the NYC Musicians' Union
- U.S. Senate Majority Leader Charles E. Schumer announced [on July 17] that the American Federation of Musicians and Employers Pension Plan, which represents nearly 50,000 union members in the entertainment industry from Broadway to musicians in orchestras, bands, film, and theaters across the country, will receive a whopping $1.5 billion pension-fix from the American Rescue Plan. Schumer said that this will ensure that musicians and their families receive the hard-earned benefits that they paid into their whole lives, but lost through no fault of their own and were set to go insolvent by 2034. “Sweet music! The American Federation of Musicians Plan that covers retirement benefits for nearly 50,000 musicians from Broadway to orchestras to film is getting the pensions relief they have needed to the tune of a whopping $1.5 billion dollars. So many AFM members thought it would lights out and closing curtain for their pensions by 2034, but because of the pension reform I championed in the American Rescue Plan they can now breathe a sigh of relief,” said Senator Schumer. “When I became majority leader, I promised I would not stop fighting until our union brothers and sisters and their families got the pension relief they needed and earned, and today it is music to my ears to hear they will finally get the relief they have long needed.”
- The union "enthusiastically" endorses Vice President Kamala Harris for president.
Monday, July 22, 2024
Museum Mondays
Friday, July 19, 2024
Mahler 3 at San Francisco Symphony
- Lisa Hirsch, SF Chronicle
- David Bratman, SFCV
- Previously: Joshua Kosman, SF Chronicle (Mahler 2)
- Previously: Lisa Hirsch, SFCV (Mahler 2)
Where Thomas insinuates, Salonen speaks out bluntly. Where Thomas works in chiaroscuro — layering over the orchestral texture with faint shadows and whispers of countermelodies — Salonen works in bold, bright colors. Thomas is perhaps more attuned to the composer’s corrosive irony, Salonen to the forthrightness with which he proclaims his emotional themes.
Obviously, there is no right or wrong here. These are both legitimate ways to understand the slippery, protean voice that Mahler brings to all his orchestral music. A conductor has to choose, at least for the duration of a single performance, but we in the audience don’t.
Salonen Conducts Schumann and Bruckner at SFS
Well, this was something of a surprise: I liked the Bruckner much more than the Schumann.
- Lisa Hirsch, SF Chronicle
- Rebecca Wishnia, SFCV
- DB at Kalimac's Corner
Fellow Travelers at Opera Parallèle
Jonathan Pierce Rhodes, as Timothy Laughlin
Gregory Spears's opera Fellow Travelers had its Bay Area debut last month. Reviews:
- Steven Winn, SF Chronicle
- Lisa Hirsch, SFCV. My review should have mentioned the efficient and attractive set.
- The Opera Tattler
Monday, July 15, 2024
Michael Cavanagh
Michael Cavanagh, who directed seven San Francisco Opera productions between 2012 and 2022, died on March 13, 2024. He was 62 and died of leptomeningeal cancer. This news didn't get a lot of attention in the Bay Area, because it dropped the day before the disastrous news that Esa-Pekka Salonen would be leaving the San Francisco Symphony.
Here's what Cavanagh directed at SFO:
John Adams’ NIXON IN CHINA (2011-12 season) – San Francisco Opera premiere
7 performances; opened June 8, 2012
Carlisle Floyd’s SUSANNAH (2014-15 season) – New Production
5 performances; opened September 6, 2014
Donizetti’s LUCIA DI LAMMERMOOR (2015-16 season) – New Production
7 performances; opened October 8, 2015
Ana Sokolović’s SVADBA-WEDDING (2015-16 season) - SF Opera Lab premiere
7 performances; opened April 2, 2016
Mozart’s THE MARRIAGE OF FIGARO (2019-20 season) – New Production, *Mozart-Da Ponte Trilogy
8 performances, opened October 11, 2019
Mozart’s COSI FAN TUTTE (2021-22 season) – New Production, *Mozart-Da Ponte Trilogy
5 performances; opened November 21, 2021
Mozart’s DON GIOVANNI (2021-22 season) – New Production, *Mozart-Da Ponte Trilogy
8 performances; opened June 4, 2022
I missed Susannah, because I had pneumonia that year, but I saw the rest. I thought that The Marriage of Figargo and Don Giovanni had significant flaws, but the other productions were all excellent, and Cosi was among the greatest productions I have ever seen, sly, human, very funny, and with the ambiguity the opera demands. RIP, Michael Cavanagh.
Livermore Valley Opera 2024-25
Livermore Valley Opera (LVOpera) has a two-opera season coming up for 2024-25. They're doing two classics: Donizetti's The Daughter of the Regiment, a comedy with an extremely silly plot redeemed by surprisingly lovely and complex music, and Mozart's Don Giovanni, which needs no introduction.
I've only been out to LVOpera once, for an excellent production of Verdi's Otello. Yes, I regret missing their recent production of Carlisle Floyd's Of Mice and Men. LVOpera performs in a 500 seat theater, and I really like the intimacy of seeing opera in a theater of that size.
Here are some details about LVOpera's upcoming season.
Location (all performances): Bankhead Theater 2400 First Street, Livermore, CA 94550
Cost: Adults $25-$110. Tickets can be purchased through the company's website at www.LVOpera.com. Special ticket pricing: $25, ages 20 and younger; $45, ages 21-40. Bankhead Ticket Box Office: 925-373-6800.
Alexander Katsman conducts all performances.
Performances:
- September 28th, 2024 @ 7:30pm
- September 29th, 2024 @ 2:00pm
- October 5th, 2024 @ 2:00pm
- October 6th, 2024 @ 2:00pm
- March 1st, 2025 @ 7:30pm
- March 2nd, 2025 @ 2:00pm
- March 8th, 2025 @ 2:00pm
- March 9th, 2025 @ 2:00pm
Sunday, July 14, 2024
Thursday, July 11, 2024
Sunday, July 07, 2024
Thursday, July 04, 2024
Salonen Conducts Mahler 3rd at SFS
- Lisa Hirsch, SF Chronicle. In which San Francisco Symphony learns that all publicity is not good publicity. It is ham-handed to make threats against a 30-year-plus patron. They could have written a slightly sheepish request, but decided that a threat was the right way to go. Also, the bylaws don't specifically forbid signs in the hall, and I've seen quite a few recently.
- David Bratman, SFCV
- Steve Winn, Musical America (paywalled; no link)
Sunday, June 16, 2024
Partenope, San Francisco Opera
- Lisa Hirsch, S.F. Chronicle
- Nicholas Jones, SFCV
- The Opera Tattler
- Michael M. Landman-Karny, Stage and Cinema
- Michael Anthonio, Parterre Box
- Michael Strickland, SF Civic Center
- Joshua Kosman, Chronicle. I hadn't read this review since it came out, and I'm amused to see a few similarities between it and my review anyway. The review also confirms my memory that de Niese wasn't quite up to the title role.
- Robert Commanday, SFCV.
Thursday, June 13, 2024
Music Reviewer Waking Nightmare
So there I was a week ago, out running errands, when suddenly I realized that I was reviewing a performance of Mahler's Symphony No. 3 the next day, and...I was unprepared, in that I hadn't heard it in a couple of years, hadn't looked at the score, hadn't thought about it at all. PANIC.
....until I realized that I was reviewing a completely different program the following day and had no idea yet whether I would be reviewing the Mahler on June 28 or not.
Wednesday, June 12, 2024
Belated Anniversary
Tuesday, June 11, 2024
Ravel and Schoenberg at San Francisco Symphony
- Lisa Hirsch, SFCV
- Michael Strickland, SF Civic Center (Mercifully, I was in Row T and heard no clomping in the Ravel.)
- The Opera Tattler
Innocence Livestream
Friday, June 07, 2024
Tuesday, June 04, 2024
San Francisco Opera: Innocence
- Steven Winn, Chronicle
- Lisa Hirsch, SFCV
- Opera Tattler
- Opera Tattler (Innocence again)
- Michael Strickland, SF Civic Center
- Caroline Crawford, Bay City News
- Harvey Steiman, Seen & Heard International
- Michael Anthonio, Parterre Box
- Richard S. Ginell, Classical Voice North America
- DB at Kalimac's Corner
- Emily Wilson, "How SF Opera is Preparing the Cast and Audience for Kaija Saariaho's Innocence", SFCV
- Alex Ross, The New Yorker
- Zachary Woolfe, NY Times
- Alastair Macaulea, Financial Times
- Andrew Clements, Guardian
- Colin Clarke, Seen & Heard International
- Mark Berry, Boulezian
San Francisco Opera, The Magic Flute
- Lisa Hirsch, S.F. Chronicle
- Steven Winn, SFCV
- Opera Tattler
- Opera Tattler (Magic Flute again)
- SF Civic Center
Weh! Weh!
What am I wailing about? I'm wailing over Joshua Kosman's retirement from the San Francisco Chronicle.
I'm happy for him, I really am: after 36 years on the job, writing thousands of overnight reviews and hundreds of features, he has earned retirement! He'll have more time for games and puzzles of all kinds, for going to the theater, for attending musical events that he isn't reviewing. And those are all good things.
But he's been such a constant presence at the Chron and such a reliably interesting and thoughtful writer, whether or not I agreed with his take on a particular performance or performer. I always found something to think about in his reviews, and very often reacted with "Why didn't I think of that?" He's a terrific writer, less formal and with more spice than my own reviews and articles usually have. So, yeah, I'm happy for him and I will miss him.
I've learned so much about how to write a review from reading his reviews, and over the years I've gotten a lot of good advice from him, as well. When Andrew Gilbert, at Mission Local, interviewed Joshua a few weeks ago, he mentioned that Joshua's work mentoring younger writers was not publicly visible. Gilbert talked with Hannah Edgar, now a contributor to the Chicago Tribune, about working with Joshua at the Rubin Institute and elsewhere. She wasn't the only one, I'm sure.
The Mission Local article mentions that he was thinking of starting some kind of a weekly newsletter, and I hope that happens, because here I am, wondering what he thought of The Magic Flute and Innocence at San Francisco Opera, and I can't just open the Chronicle to find out.
Sunday, June 02, 2024
Retirements at San Francisco Symphony
- Nadya Tichman, 44 years; violinist and former Associate Concertmaster, also acting concertmaster 1998-2001
- Steven Dibner, 41 years; Associate Principal Bassoon
- Amy Hiraga, 26 years; violinist. Note that Hiraga won two auditions to SFS. She played for one year, moved back to NYC, then returned in 1999.
- Jill Rachuy Brindel, 44 years; cellist.
- Peter Wyrick, 28 years, Associate Principal Cello from 1999 to 2023. He won two auditions. He played for three season, then returned to NYC, and came back to SFS in 1999. (If this sounds familiar...Hiraga and Wyrick are married.)