Aug 8
CARTER: String Quartet No. 1
New Fromm Players
Aug 8
MASON: Years of Light (world premiere, TMC commission)
STROPPA: Let Me Sing Into Your Ear (U.S. premiere)
CARTER: Instances (East Coast premiere, TMC co-commission)
LACHENMANN: “…zwei Gefühle…”
TMC Fellows; Brian Church, narrator; Michele Marelli, basset horn
Aug 9
Pierre-Laurent Aimard, piano
CARTER: Epigrams (U.S. premiere)
LACHENMANN: Grido
STROPPA: Traiettoria (U.S. premiere)
With JACK Quartet and New Fromm Players
Aug 10
Pierre-Laurent Aimard, piano
STROPPA: Ossia
LACHENMANN: “…got lost…”
CARTER: Retrouvailles; Tri-Tribute; 90+
With Elizabeth Keusch, soprano; Stephen Drury, piano; New Fromm Players
Aug 11
NANCARROW, transcr. Adès: Study No. 6 & 7 for two pianos
STROPPA: Ay, There's the Rub
LIGETI: Three Pieces: Monument – Self portrait – Movement
REICH: Music for 18 Musicians
Mickey Katz, cello; TMC Fellows; New Fromm Players
Aug 12
BENJAMIN: Written On Skin (U.S. premiere)
TMC Fellows; George Benjamin, conductor
8 comments:
Who can we write and at least try to shame?
Andris Nelsons? Mark Volpe?
There's also the odd fact that 6 of 16 pieces in this "contemporary" festival are by no longer living composers.
I did notice that, but I'm prepared to own that Ligeti (d. 2006) and Carter (d. 2012) are both contemporary composers.
I hadn't thought about the fact that I can't even think of a woman composer.
At least 30% of current student composers (undergrad & grad) are women, and I can name dozens of women, living or dead, who compose or composed good music, so I've started tracking season announcements by prominent organizations as to how much music they're playing that was composed by women.
Interestingly, the Baroque music group Magnificat has been a pioneer in this area. They've played more music by women in the past decade than the San Francisco Symphony has.
Regardless of how "feminist" Written on Skin" may be, it's really fantastic music. I am not particularly an opera/vocal fan. I also tend not to care much for stories where the main character who is of an oppressed class dies in the end, not matter how defiantly. But forget about all that - it's an extraordinary musical experience.
I caught the audio of a performance of it on BBC Radio 3, not long ago, but they only keep things online for a week, and it's been longer than that. A DVD of it from the first production is either already out, or in the works, so there will still be a convenient way to hear/watch it. It's definitely worth seeking out, one way or another.
I would love to see Written on Skin, but I can't get to Tanglewood for it, and who knows whether it will play anywhere else? Long Beach Opera has the guts to put it on; hardly any other companies.
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