Harvey Milk Reimagined
Photo by Cory Weaver, courtesy of Opera Parallèle
Now it's been further revised, on commission from Opera Theatre of Saint Louis and Opera Parallèle, and it's playing in San Francisco again.
- Joshua Kosman, On a Pacific Aisle (link to his 1996 review is above)
- Lisa Hirsch, SFCV and S.F. Chronicle
- Charlise Tiee, The Opera Tattler
- Harvey Steiman, Seen & Heard International
- Caroline Crawford, Bay City News
- James Ambroff-Tahan, SF Examiner
It's interesting that Joshua, Harvey, and myself all think that the revised version is overloaded.
Related:
- Georgia Rowe, preview
- Emily Wilson, preview
- Philip Campbell, preview
- Michael Milenski, preview
2 comments:
I understand your concerns and I know that on opening night the volume was almost painful for such a small house. I loved it because it touched me and brought me to tears. Perhaps it's because I was in San Francisco that horrible day. Perhaps it's because Jonathan Joss was murdered a couple of days ago by a homophobic creep as he and his husband were grieving the decapitation of their dog. Because DEI hire Hesgeth is removing the names of Harvey Milk, Dolores Huerta, Thurgood Marshall, Cesar Chavez and Harriet Tubman from Navy ships while again honoring Confederate traitors by resurrecting their names on military bases. What does this have to do with the opera? For me, who am not a music scholar, everything. Just as my heart was moved last night at La Boheme, so, too, did the tears flow while I watched Harvey Milk. Perhaps it's not chic to cry at the opera, but I do. And I can only say 'thank you' to the people who bring this music to me and who bring me to the opera.
I'm glad that the opera was moving and meaningful to you in those ways.
I read about Hegseth's actions yesterday: they are disgusting and he is a disgrace, not fit to be mentioned alongside people like Milk, Huerta, and so on.
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