Mystery score

Mystery score

Monday, December 21, 2009

Seventh Avenue Performances

I try not to just copy and paste press releases into the blog, but I just received the 2010 Seventh Avenue Performances (San Francisco) release, and I think you ought to 1) read it in full 2) go to these fabulously programmed and incredibly inexpensive concerts. I've plugged the SFRV concerts already, and again I see: go see them!

Seventh Avenue Presbyterian is a comfortable venue, intimate enough and spacious enough, and easy to get to by public transit. Parking in the neighborhood is not so much fun.


FOR IMMEDIATE RELEASE: Seventh Avenue Performances (San Francisco) announces 2010 Season
For more information contact: J. Jeff Badger, Managing Director at the above EMail address or 415.664.2543 x3

Seventh Avenue Performances (www.SevenPerforms.org) is pleased to announce its 2010 season that once again presents a variety of performances at reasonable prices (general admission $20, student/senior $15) in San Francisco's Inner Sunset neighborhood; all performances are at Seventh Avenue Presbyterian Church, 1329 Seventh Avenue in San Francisco. Our new season features opera, classical and world music, and we are pleased to once again be the San Francisco venue for our Artists-in-Residence, San Francisco Renaissance Voices (www.SFRV.org). The 2010 season includes:

Saturday, January 17, 7:30 pm – "Castles and Countrysides" - Season Opener with Brocelïande

We had such fun when Brocelïande made their Seventh Avenue debut on our 2009 Season that we decided to have them back to provide a celebratory start to 2010 with an inviting program of Celtic traditional and Early Music to welcome in the New Year! Included are Scottish songs by Robert Burns, Irish songs and dances, French traditional music, and songs of Tolkien. Featuring stellar vocal and instrumental harmonies, their entrancing sound is built on the interweaving of up to 3-part vocals with the lyrical music of the Celtic harp, octave mandolin, cello, 12-string guitar, recorders, whistle, and percussion. Brocelïande is Margaret Davis, Kristoph Klover, and Kris Yenney.

Saturday, February 6, 7:30 pm – The Music of Benjamin Britten

San Francisco Opera Chorus tenor Colby Roberts is joined by Kevin Rivard, horn; Dawn Harms, concertmaster and Maestro Matthias Kuntzsch, conductor and piano, to perform the music of Benjamin Britten featuring Britten's Serenade for Tenor, Horns and Strings. The program will also include Britten's Les Illuminations, Sonnets of Michelangelo and Winter Words.

Saturday, March 6, 7:30 pm – Songs of War and Peace
Our Artists-in-Residence, San Francisco Renaissance Voices (Todd Jolly, Music Director), perform the first concert of their new season, "Music in Time of War," with music from the Renaissance and early Baroque featuring Tomas Luis de Victoria’s Missa pro Victoria (based on Janequin’s Le Guerre) as well as Dufay’s Lamentio Sanctae Matris Ecclesiae Constantinopolitanae, Gallus’ Les Heroes, Te Deums from the Franco-Flemish Renaissance, and troubador songs from the Crusades.

Saturday, April 17, 7:30 pm – Ya Elah Women’s Ensemble (Bon Singer, director)
Ya Elah sparkles with the influence of Bulgarian village songs, Sephardic and Middle Eastern melodies. The musicians have backgrounds in cantorial, folk, jazz, ethnic and classical styles. Composer, arranger, and singer with Kitka for 14 years, Artistic Director Bon Singer is recognized as one of the premier directors of Bulgarian choral music in the United States.

Saturday, May 15, 7:30 pm – The Armed Man
The Renaissance drinking song L’homme Arme’ (The Armed Man) has served as the basis for more masses than any other tune in history. This concert by San Francisco Renaissance Voices (Todd Jolly, Music Director) features both of Josquin des Prez’s versions his Missa L’homme armé sexti toni and his most famous version, Missa L'homme armé super voces musicales, a technical tour-de-force, containing numerous mensuration canons and contrapuntal display in which the L'homme armé tune is repeated for each movement on a consecutive step of the scale.

Saturday, June 26, 7:30 pm – Les Grâces Baroque Ensemble
Les Grâces performs the music of the 17th and 18th centuries with a focus on French music. The group features soprano Jennifer Paulino with Rebekah Ahrendt (viol), Annette Bauer (recorders) and Jonathan Rhodes Lee (harpsichord).

Saturday, July 31, 7:30 pm – The Armed Woman
San Francisco Renaissance Voices (Todd Jolly, Music Director) presents this concert dedicated to proving that the pen is indeed mightier than the sword and features music composed by women from the Medieval through Baroque periods. Featured is Isabella Leonarda’s (1620-1704) Magnificat, Opus 19 #10 with other music by Hildegard von Bingen (1098-1179), Maria Xaveria Peruchona (1652-1709), Sister Chiara Margarita Cozzolani (c1602-1678), Maddelena Casulana (1544-1590), the courtesan Barbara Strozzi (1619-1677), the mysterious Antonia Bembo (1640-1720) and the child prodigy Elisabeth Jacquet de la Guerre (1665-1729).

Saturday, August 21, 7:30 pm – Of Heloise
Soprano Nancy Ogle (University of MN professor of Music, Surry Opera) and countertenor Justin Montigne (Chanticleer, Clerestory) offer the Bay Area its first listen to selections from an upcoming opera by Minnesota composer Jan Gilbert. Of Heloise recounts part of the epic love-lost story of Heloise and Abelard, whose letters, exchanged years after the end of their affair, bear testament to the passion they held for each other and to the deep intellectual and artistic bond they shared until death. Modern music on a medieval theme anchors this original and exciting program.

Saturday, September 18, 7:30 pm – Teslim
Teslim means both ‘commit’ and ‘surrender’ in Turkish and features two well known Bay Area musicians: violinist Kaila Flexer and Gari Hegedus on oud, Turkish saz, Greek lauoto and other (mostly plucked) stringed instruments. This potent duo performs Greek, Turkish and Sephardic music. In addition, both Flexer and Hegedus are composers whose original music is based on these fertile traditions

No comments: