Over at Civic Center, sfmike has a posting about John Adams's recent residency at San Francisco Symphony, including lists of three favorite Adams works by a bunch of people. You'll notice (or you won't notice) my absence; I couldn't come up with three favorites because I haven't heard most of my Adams recordings in a few years, and I didn't want to just throw out works at random.
Also, I'd heard El Nino the week before, and frankly, I hated it. Maybe what I hated was Adams's own conducting, but the piece just seemed stuck in one tempo, stuck on the endless syncopations, stuck harmonically, stuck stuck stuck. I continue to hate the flattening effect of the amplification - John, why don't you trust either your own orchestration or your singers? And while I thought Michelle DeYoung and Jessica Rivera were both swell, I could not bear Jonathan Lemalu's gray-toned shouting or the effect of the amplification on his sibilants. So I couldn't join in the general rejoicing about the piece. I know five people who walked out of the first performance, so it's not just me.
That said, a favorite or two. I think the music of Doctor Atomic is splendid; grand in scope and conception, beautifully executed. (The libretto, not so much. Undramatic, fragmentary, tough to hang an opera on, even though it does a provide a few excellent set pieces. It needs to lose the Native American child care provider and the clownish portrayal of General Leslie Groves.) But my favorite of all is Naive and Sentimental Music, one of the best new symphonic works I've heard in the last decade.