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Tuesday, October 31, 2017

Holy Cow! MTT to Step Down in 2020

MTT, then and now


Who would have thought this day would come? Not me: Michael Tilson Thomas is going to leave his position as Music Director of the San Francisco Symphony at the conclusion of the 2019-20 season.

Press release after the cut; in the meantime, various questions come to mind. This can't have been a recent decision, especially considering the prospective plans mentioned in the PR; was it a factor in Brent Assink's departure? Was Brent's departure a factor in this decision? Will there be further personnel changes in the orchestra? And of course: who's next?

(Personal to SFS: the Peer Gynt performance wasn't an opera; it was Grieg's incidental music and bleeding chunks of the Ibsen play.)

UPDATED with media coverage, 11/1/2017

  • Joshua Kosman, SF Chron. "Reputation for fast living" = the 1970s cocaine bust and perhaps whatever rumors there were back then about MTT's sexual orientation (gay, which you didn't discuss in the 70s except in whispers).
  • Michael Cooper, NY Times. I have absolutely no idea what his first clause means: "Michael Tilson Thomas, whose trailblazing leadership of the San Francisco Symphony spurred American classical music’s westward expansion,..." No, MTT did not pioneer classical music in the western United States; SFS was past 75 when he became its conductor, and his predecessors included eminent conductors such as Alfred Hertz, Pierre Monteux, Josef Krips, and Seiji Ozawa. The LA Phil is closing in on its own centenary season. San Francisco Opera is as well. Cal Performances originated with 1908 performances by Sarah Bernhardt. Etc.
  • Georgia Rowe, Merc.




MICHAEL TILSON THOMAS ANNOUNCES PLANS TO CONCLUDE HIS 25-YEAR TENURE AS MUSIC DIRECTOR OF THE SAN FRANCISCO SYMPHONY FOLLOWING THE 2019–2020 SEASON

SAN FRANCISCO, October 31, 2017 — Michael Tilson Thomas today announced plans to conclude his distinguished tenure as Music Director of the San Francisco Symphony (SFS) in June 2020. The 2019–2020 Season will mark both his 75th birthday and his 25th year leading the Symphony in what is widely considered one of the most productive musical partnerships in the orchestral world. Tilson Thomas’ legacy with the SF Symphony began in 1974 with his debut at age 29, conducting Mahler’s Ninth Symphony, and was solidified by his commencement as the Orchestra’s 11th Music Director in September 1995. Following the 2019–2020 Season, Michael Tilson Thomas will assume the title of Music Director Laureate of the San Francisco Symphony, and will continue to conduct the Orchestra for a minimum of four weeks each season in addition to other special projects. In anticipation of the celebratory 25th anniversary season of the MTT/SFS partnership, the next two years will feature signature recording projects, festivals, commissioning of new ­­works, staged productions, a two-week tour of the United States in 2018–2019, and a three-week European tour in 2019–2020.

“Looking back over these decades I am filled with gratitude for the extraordinary artistic partnership I have had with the members of the Orchestra and for the warm and generous style of music making we have shared with all of our audiences,” said Michael Tilson Thomas. “Having been a Music Director of an orchestra for most of my adult life and as I approach my 75th birthday, I feel this is an appropriate moment to set aside some of my administrative responsibilities and begin a new period of creative possibilities. Fortunately my new and unique relationship as Music Director Laureate of the San Francisco Symphony will allow me to continue to work with my esteemed colleagues for years to come on projects close to my heart.”
Throughout more than two decades, Michael Tilson Thomas’ leadership of the San Francisco Symphony has been recognized worldwide for building an orchestra that consistently displays artistry of the highest level in its home of Davies Symphony Hall, on over two dozen national and international tours, and through media and recording projects. He has championed the creation and performance of new music through relationships with today’s important musical voices, explored the adventurous and iconic American sound, and enhanced the orchestral concert experience through innovative staging and immersive settings. MTT has led the Symphony in growing new audiences by making orchestral music accessible to all through extensive, award-winning media projects including audio and video recordings, national radio and television broadcasts, and streaming and web content. Under his leadership, the Orchestra has built a leading commitment to music education and community activities, expanding its involvement with San Francisco’s public school children, fostering many of the finest young musicians, and embracing creative ways to engage with the Bay Area’s diverse population.
“Michael Tilson Thomas embodies the personality and the spirit of San Francisco,” said Sakurako Fisher, President of the San Francisco Symphony. “Striving for excellence in all that he does, creative and curious in nature, inclusive of all, and adventurous in his thinking. We look forward to continuing to support his vision, ideas, and innovation around what an orchestra can mean to its community.”

"When Michael made his debut with the Orchestra in 1974, it was clear that his passion for the music was matched by his ability to communicate it profoundly with our audiences," said SFS cellist Margaret Tait. "His creative, personal approach to music making and the broadening of the repertoire have been embraced by the Orchestra and made these two decades exciting, rewarding, and inspiring."

“Working with Michael has been one of the most joyful and meaningful collaborations of my life,” said Eugene Izotov, SFS Principal Oboe. “His inspiration, guidance, and spirit have raised the artistic level of this orchestra and shaped the San Francisco Symphony into the kind of ensemble it has never been before. Although he leaves his post as Music Director, I know that his passion, youthful energy, and endless musical curiosity are here to stay with us.”
“Under Michael Tilson Thomas’ leadership, the worldwide artistic reputation of the Orchestra has experienced a trajectory of unprecedented growth,” said SFS Executive Director Mark C. Hanson. “His vision, energy, and ideas have excited and engaged both new and long-time audiences and have attracted 50 extraordinary musicians who have joined the Orchestra during his tenure. The MTT/SFS partnership is unparalleled and will only continue to strengthen over time.”

Michael Tilson Thomas at the San Francisco Symphony
Since his 1974 debut conducting Mahler’s Ninth Symphony, Michael Tilson Thomas has built a legacy of ARTISTIC EXCELLENCE at the helm of the San Francisco Symphony. Michael Tilson Thomas’ signature interpretations and recordings of core masterworks by composers such as Mahler, Beethoven, and Schumann have been recognized globally for their nuance, mastery, and unique musical perspective.

A native Californian, Michael Tilson Thomas has led the San Francisco Symphony in two decades of showcasing the path-breaking artistic work of AMERICAN MAVERICKS where he has championed music by pioneers of the American sound such as Charles Ives, Ruth Crawford Seeger, Carl Ruggles, John Cage, Henry Cowell, Aaron Copland, Lou Harrison, Henry Brant, Morton Feldman, Edgard Varèse, and Lukas Foss, among others. In 2000 and 2012, MTT and the SFS broke new ground with the far-reaching American Mavericks Festivals, featuring concerts dedicated to these composers, as well as educational partnerships, experiential learning, recordings, a national concert tour, and a host of new media tools to allow for a deeper understanding of this music.

Since his appointment as SFS Music Director in 1995, Michael Tilson Thomas has represented unwavering commitment to championing NEW AND UNFAMILIAR WORKS with the Orchestra. Under his artistic leadership they have established and maintained commissioning relationships with composers such as John Adams, Robin Holloway, Meredith Monk, Steve Reich, and Charles Wuorinen, and formed new bonds with young composers such as Samuel Adams, Mason Bates, and Ted Hearne. In addition to commissioning and performing dozens of new compositions by this era’s most important musical voices, Tilson Thomas has led the Orchestra to champion these new works by taking them on national and international tours, and recording and releasing them on the Orchestra’s in-house record label, ensuring their exposure and life beyond their local premiere. In 2012, in partnership with the publisher Boosey & Hawkes and the New World Symphony, MTT and the SFS established the New Voices program to seek out and promote the work of new composing talents. The American Society of Composers, Authors and Publishers recognized the Symphony’s commitment to innovative programming with eight awards since 2000.

Michael Tilson Thomas’ creative reimagining of the CONCERT EXPERIENCE has brought cutting-edge original staging to works of the symphonic and operatic repertory. Since 2000, he has conceived acclaimed semi-staged productions ranging from operas such as The Flying DutchmanPeter Grimes, and Peer Gynt, to works of musical theater like West Side Storyand On the Town, to bold stagings of concert works such as Missa solemnis. Further pushing the boundaries of traditional orchestral performances, Michael Tilson Thomas and the San Francisco Symphony opened SoundBox in 2014, presenting evenings of eclectic musical exploration to culturally adventurous listeners in a club-like environment. A resounding cultural and critical success, SoundBox has broadened the classical music experience.

Michael Tilson Thomas and the San Francisco Symphony’s award-winning MEDIA catalogue began in 1996 with a debut live recording with the Orchestra, Prokofiev’s Romeo and Juliet on RCA Red Seal. It was awarded the Grammy Award for Best Orchestral Performance, and several years later Tilson Thomas and the Orchestra won three 1999 Grammy Awards for their all-Stravinsky recording. In 2001, the San Francisco Symphony under Tilson Thomas became the first US orchestra to successfully launch its own audio/video recording label, introducing SFS Media with a renowned Mahler cycle that encompasses all of the composer’s symphonies and major song cycles. The label has gone on to offer recordings of many other major works, including those of Beethoven, Ives, and John Adams, as well as a compilation of American maverick composers and a complete West Side Story. In all there have been 44 SFS Media releases to date. They have captured eight Grammy Awards as well as such honors as France’s Diapason d’Or and Germany’s Echo Klassik and Preis der deutschen Schallplattenkritik awards. MTT’s unique ability to communicate the joys and context of symphonic music led to the creation of Keeping Score, a multi-year, multi-tier program (inaugurated in 2004) to bring music to tens of millions of Americans through national radio and television programs, DVDs, in-school education programs, and a website that enables visitors to delve deeply into the music, at their own pace.

Guided by Michael Tilson Thomas’ lifelong commitment to music EDUCATION, the San Francisco Symphony has significantly expanded its education and community programs to reach more than 100,000 children, students, educators, and families annually. Its Adventures in Music program now ensures that every child in grades 1–5 in San Francisco’s public elementary schools receives free and equitable access to music education for five consecutive years; after which the Symphony’s training programs for young adults nurture the next generation of musicians and citizens, from amateurs to scholars of the highest pre-professional level. Under Tilson Thomas’ leadership, the San Francisco Symphony’s music education program has grown to be among the most comprehensive of its kind.

Michael Tilson Thomas’ many HONORS AND MILESTONES include the National Medal of Arts, the highest award given to artists by the U.S. government, presented by President Barack Obama in 2010, Columbia University’s Ditson Award for Services to American Music, and the President’s Award from the National Academy of Recording Arts and Sciences. He was named Musician of the Year and Conductor of the Year by Musical AmericaGramophone’s Artist of the Year, and inducted into the magazine’s Hall of Fame. Tilson Thomas has been elected to the American Academy of Arts and Sciences and is a Chevalier des Arts et des Lettres of France. During the 2019-2020 season, his 25th, Tilson Thomas celebrates his 75th birthday as well as the 50th anniversary of his relationship with the London Symphony Orchestra, where he served as Principal Conductor and is now Conductor Laureate. 2017 marks the 30th anniversary of the New World Symphony, America’s Orchestral Academy, which MTT co-founded and continues to lead as Artistic Director. To date, the San Francisco Symphony has awarded 18 graduates of this program permanent positions in the Orchestra.

17 comments:

CruzSF said...

the shoe has dropped. NOW what? A tremendous opportunity for change, but my favorites have already been snapped up by other organizations.

Mike A. said...

Ugh. If it was announced earlier, Alan Gilbert would have been a perfect replacement! At this point, I probably pick David Robertson, or, if they are willing to get somebody young, Krzysztof Urbański.

Lisa Hirsch said...

Craig, who were your favorites?

Mike, I feel like there's a lot we don't know: how long this has been planned, whether Gilbert was approached at some point, etc. Gilbert's departure from the NYPhil was announced early in 2015 and his appointment to the NDR Elbphilhamonie only recently. If MTT and SFS have been talking about this for some time (six months? a year? More?) planning projects and an orderly departure, it's possible that they talked to Gilbert. But it was also the case that for last year+ they knew Brent Assink would be leaving and might have wanted to have a replacement for him in place before announcing this.

JSC said...

I just heard this news from one of the SF Opera orchestra members and came here to see if you had reported on it also. I'm shocked. I knew this day would be coming but didn't think it would be this soon. :-\

oboeinsight.com said...

So are you going to be giving your list of guesses for possible candidates? I'd be curious to hear! (Someone did tell me about a short list, but who knows?!)

I certainly was impressed with Urbański ....

Lisa Hirsch said...

My guesses are just that. Probably there is a short list, in the sense that every orchestra has, or should have, a list of people to recruit as permanent or guest conductors if Something Bad happens to a music director. (This is why it is weird that SFO is muttering that it could take up to two or three years to replace Nicola Luisotti.)

oboeinsight.com said...

True that guesses are guesses, and the short list I heard about is just hearsay coming from me, so never mind that.

Being in the little groups I'm in I don't know how the Real Folk operate. I just sit back and watch. I do look forward to both the opera and the symphony news, though. (One group I was in some years back made a Major Mistake with a new conductor and oh my, did we end up paying for that big time. Total misery.)

Lisa Hirsch said...

I'd consider it good hearsay, though. :)

CruzSF said...

I would have liked Conlon, Bychkov, Robertson, Mälkki, Petrenko, Gaffigan. For a start.

Lisa Hirsch said...

Which Petrenko? :)

Some of those are possible, I think. Not Bychkov (I WISH), but the others, hmm.

Lisa Hirsch said...

P. S. I'm about to publish my first speculative post.

CruzSF said...

I was thinking of Kirill Petrenko. I forgot to mention that I really like Valčuha, too, the last couple of times he's visited.

Lisa Hirsch said...

I didn't care for Kirill's Bayreuth Ring, but haven't heard him in orchestral rep. Alas, he really is unavailable. I haven't heard Valčuha yet.

Jeez, I left an obvious candidate off my speculative post: Heras-Casado.

CruzSF said...

I've heard Heras-Casado live only once, though I know he's been here quite often. He was fine that night.

I see I'm wrong about David Robertson. I've liked the recordings I've heard with him, but don't know what kind of leader he is.

With the next music director, I want more contemporary music, more music by women, more music by US Americans. And I'd like less Mahler, at least for a few years.

Lisa Hirsch said...

I've liked Heras-Casado a lot when I've seen him, and he is pretty much the only big-time orchestral conductor who has choral experience and early music experience, too. His concerts are always interesting.

Geo. said...

At the risk of stating the actuarially obvious, the reasons for MTT deciding to call time might be the simplest ones:
* He is 73, after all. Even granted that conductors can live to quite a good age, that is still quite the number, and he'll be 75 when he's done in 2020.
* These days, 10 years is a pretty long time to be music director (chief conductor, if in Europe) with an orchestra, never mind 20, even more so 25. It might just be time for a change on all sides.
Of course, I write in total ignorance of the SF classical music organizational politics there. But the above two bullet points work for me.

Lisa Hirsch said...

I definitely think the reasons he has given are the real reasons. It doesn't seem likely that there's an undisclosed health problem, for example, given the planned time frame.