San Francisco Opera, 2025-26

Verdi, Rigoletto

Photo: Cory Weaver / San Francisco Symphony

The 2025-26 San Francisco Opera season was announced at 1 p.m. today. Like 2024-25, it's a short season, with six operas and several concerts. Here's what they're preforming:

• Rigoletto, Verdi. Sept. 5-27. Eun Sun Kim/Amartuvshin Enkhbat (Rigoletto), Giovanni Sala (Duke), Adela Zaharia (Gilda), J’Nai Bridges (Maddalena), Peixin Chen (Sparafucile)
• Dead Man Walking, Heggie. Sept. 14-28. Patrick Summers/Jamie Barton (Sister Helen Prejean), Ryan McKinny (Joseph De Rocher), Susan Graham (Mrs. De Rocher), Brittany Renee (Sister Rose). Graham, who created the role of Sister Helen Prejean, returns as Mrs. De Rocher, the mother of the condemned man.
• Parsifal, Wagner. Oct. 25-Nov.13. New SFO production. Eun Sun Kim/Brandon Jovanovich (Parisfal),  Kwangchul Youn (Gurnemanz), Brian Mulligan (Amfortas), Tanja Ariane Baumgartner (Kundry), Falk Struckmann (Klingsor). Matthew Ozawa directs.
• The Monkey King, Huang Ruo/Libretto by David Henry Hwang. Nov. 14-30. Carolyn Kuan/Kang Wang (Monkey King), Mei Gui Zhang (Guanyin), Konu Kim (Jade Emperor), Jusung Gabriel Park (Subhuti/Buddha), Peixin Chen (Supereme Lord Laozi), Joo Won Kang (Lord Erland/Ao Guang), Hongni Wu (Crab General/Venus Star). World premiere, SFO commission; Basil Twist directs.
• The Barber of Seville, Rossini. May 28-June 21, 2026. Benjamin Manis/Joshua Hopkins & Justin Austin (Figaro), Maria Kataeva & Hongni Wu (Rosina), Levy Sekgapane & Jack Swanson (Count Almaviva), Renato Girolami & Patrick Carfizzi (Dr. Bartolo).
• Elektra, R. Strauss. June 7-27. Eun Sun Kim/Elena Pankratova (Elektra), Elza van den Heever (Chrysothemis), Michaela Schuster (Klytämnestra). Keith Warner production seen here in 2017.

There are also concerts: Orchestra concert, chorus concert, Adler Fellows Concert, Pride concert. 

Media:

• Lisa Hirsch, S.F. Chronicle
• Janos Gereben, SFCV
• Joshua Kosman, On a Pacific Aisle. Note that SFO had up to 12 operas/year as recently as the 90s and the first few years of this century.
• Opera Tattler
• Parterre Box

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New Century Chamber Orchestra 2021-22

Season announcement from New Century Chamber Orchestra:
 
New Century Returns
September 30 – October 3, 2021
Daniel Hope, Music Director & Concertmaster

Thursday, September 30, 2021, 7:30 p.m., First Congregational Church Berkeley, Berkeley
Friday, October 1, 2021, 7:30 p.m., First United Methodist Church, Palo Alto
Saturday, October 2, 2021, 7:30 p.m., Herbst Theatre, San Francisco
Sunday, October 3, 2021, 3:00 p.m., St. Stephen’s Episcopal Church, Belvedere Tiburon
 
Mark-Anthony Turnage: Lament, for solo violin and string orchestra (U.S. Premiere, New Century Co-Commission)
Mieczysław Weinberg Concertino for Violin and Strings, Op. 42
Josef Suk: Serenade for Strings, Op.6

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Adamo Premiere with Jeff Zeigler
November 4-7, 2021
Jeff Zeigler, Guest Leader & Cellist
 
Thursday, November 4, 2021, 7:30 p.m., First Congregational Church Berkeley, Berkeley
Friday, November 5, 2021, 7:30 p.m., First United Methodist Church, Palo Alto
Saturday, November 6, 2021, 7:30 p.m., Herbst Theatre, San Francisco
Sunday, November 7, 2021, 3:00 p.m., Osher Marin JCC, San Rafael
 
Paola Prestini: From the Bones to the Fossils
Mark Adamo: Last Year (World Premiere, New Century Co-Commission)
William Grant Still: Phantom Chapel
Andy Akiho: Oscillate

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Hope Leads Appalachian Spring
January 20-23, 2022
Daniel Hope, Music Director & Concertmaster
Leah Hawkins, Soprano
 
Thursday, January 20, 2022, 7:30 p.m., First Congregational Church, Berkeley
*Friday, January 21, 2022, 7:30 p.m., Green Music Center, Sonoma State University, Rohnert Park
*Saturday, January 22, 2022, 7:30 p.m., Bing Concert Hall, Stanford
Sunday, January 23, 2022, 3:00 p.m., Presidio Theatre, San Francisco

*Presented by Green Music Center and Stanford Live, respectively

David Diamond: Rounds for Strings
Florence Price (Arr. Paul Bateman): Adoration for Violin and Strings
Various: Songs of the Harlem Renaissance, for Soprano and Orchestra
Aaron Copland: Appalachian Spring (Suite for 13 Instruments)

 

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Mozart’s Sinfonia Concertante
May 12-14, 2022
Daniel Hope, Music Director & Concertmaster
Paul Neubauer, Viola
 
Thursday, May 12, 2022, 7:30 p.m., First Congregational Church, Berkeley
Friday, May 13, 2022, 7:30 p.m., First United Methodist Church, Palo Alto
Saturday, May 14, 2022, 7:30 p.m., Herbst Theatre, San Francisco
 
Wolfgang Amadeus Mozart: Symphony in B-flat Major K. 45b
W.A. Mozart: Sinfonia Concertante in E flat for Violin, Viola and Orchestra K. 364
W.A. Mozart: Symphony No. 40 in G minor K. 550

Subscriptions to the New Century Chamber Orchestra are on sale now. Three and four-concert subscriptions range from $81 to $244 and can be purchased by calling (415) 357-1111, ext. 303, or visiting http://www.ncco.org.
 
Single tickets range in price from $30 to $67.50 and will go on sale September 7, 2021 through City Box Office: http://www.cityboxoffice.com and (415) 392-4400. Discounted $10 single tickets are available for students with a valid ID and $15 single tickets are available for patrons under 35.

Single tickets for New Century’s performance at the Green Music Center on January 21, 2022 will go on sale August 31, 2021 and will be available directly from the venue at https://gmc.sonoma.edu/.
 
Single tickets for New Century’s performance at Bing Concert Hall on January 22, 2022 will go on sale at a later date and will be available directly from Stanford Live at https://live.stanford.edu.
 
For further information on New Century, please visit www.ncco.org. 

Whoa: San Francisco Symphony, 2021-22

Esa-Pekka Salonen

Music Director of SFS

Photo by Minna Hatinen, courtesy of San Francisco Symphony

The SFS home page currently has a beautiful rotating series of photos of Salonen conducting. 

This is one of them, made available to the press as part of the press kit.

I will post more later today, but after a quick look at the press release for the upcoming SFS season, I have nothing to complain about. With the riches on offer,  I can live without a visit from Susanna Mälkki, a favorite of mine, this year. Maybe I'll catch her in LA. There are a ton of premieres of various kinds, a great lineup of visiting artists, and a lot of music by folks whose music we haven't heard here before. (You might remember me complaining about this, especially during the season when there were more works by MTT programmed than works in total composed by women.) (I would be happy to see more works by our new music director programmed than there are this season.)

For now, I will just copy this from the top of the press release. I'll take a more careful look and examine the schedule later, but let's just say that I am excited.

HIGHLIGHTS INCLUDE:

Music Director Esa-Pekka Salonen and San Francisco Symphony Collaborative Partners perform and curate programs throughout the season

2021 OPENING WEEK CELEBRATIONS

• Esa-Pekka Salonen and Collaborative Partner Esperanza Spalding join with Alonzo King LINES Ballet for Opening Week celebrations including Opening Night Gala and All San Francisco Concert 

ORCHESTRAL SERIES

• Esa-Pekka Salonen leads live and digital projects exploring the music of Igor Stravinsky, including semi-staged performances of Oedipus Rex and Symphony of Psalms directed by Peter Sellars; Orchestral Series performances of The Rite of Spring and Violin Concerto, performed by Leila Josefowicz; and digital-only release of a new staged production of The Soldier’s Tale directed by Netia Jones
• Esa-Pekka Salonen leads two weeks of Orchestral Series performances exploring the Greek myth of Prometheus, including Ludwig van Beethoven’s The Creatures of Prometheus, with animations by Hillary Leben; Franz Liszt’s Prometheus; and Alexander Scriabin’s Prometheus, The Poem of Fire performed by pianist Jean-Yves Thibaudet
• Esa-Pekka Salonen conducts the United States premiere of Collaborative Partner Bryce Dessner’s Violin Concerto, performed by Collaborative Partner Pekka Kuusisto 
• Esa-Pekka Salonen conducts Collaborative Partner Claire Chase in San Francisco Symphony premiere of Kaija Saariaho’s Aile du songe
• Esa-Pekka Salonen conducts the United States premiere of Hannah Kendall’s Tuxedo: Vasco ‘de’ Gama
• Esa-Pekka Salonen conducts Ottorino Respighi’s Pines of Rome and Pierre-Laurent Aimard in Béla Bartók’s Piano Concertos 1 and 3, captured for future audio release
• Esa-Pekka Salonen leads Orchestral Series performances of works by John Adams, Ludwig van Beethoven, Unsuk Chin, Claude Debussy, Anders Hillborg, Hannah Kendall, Fang Man, Wolfgang Amadeus Mozart, Olivier Messiaen, Jean-Philippe Rameau, Franz Schubert, Jean Sibelius, Steven Stucky, and Elizabeth Ogonek, among others

SPECIAL PRESENTATION

• Collaborative Partner Julia Bullock performs a new version of History’s Persistent Voice, a program she created inspired by artwork and words penned by Black American artists and featuring the world premiere of two new San Francisco Symphony commissions

LIVE AND DIGITAL SOUNDBOX

• Collaborative Partner Pekka Kuusisto curates and performs in live SoundBox performances co-curated with composer and developer Jesper Nordin
• Collaborative Partners Claire Chase and Nico Muhly each curate and perform in digital-only SoundBox programs released on SFSymphony+ in Summer 2021

SIGNATURE MEDIA PROJECTS

• SFSymphony+ release of György Ligeti’s Lux Aeterna, Ramifications, and Clocks and Clouds; conducted by Esa-Pekka Salonen and featuring visual artwork by media artist and director Refik Anadol 
• SFSymphony+ release of new staged production of Stravinsky’s The Soldier’s Tale, conducted by Esa-Pekka Salonen and directed by Netia Jones
• Video capture for future broadcast and release of Opening Night Gala conducted by Esa-Pekka Salonen, featuring Collaborative Partner Esperanza Spalding and Alonzo King LINES Ballet

Music Director Laureate Michael Tilson Thomas

• Four weeks of programming conducted by Music Director Laureate Michael Tilson Thomas, including Aaron Copland’s Appalachian Spring, Gustav Mahler’s Symphony No. 1, Sergei Prokofiev’s Symphony No. 5, Robert Schumann’s Symphony No. 1, William Grant Still’s Patterns, and Michael Tilson Thomas’s Notturno
• World premiere of Concerto for Trombone, written and performed by San Francisco Symphony Principal Trombone Timothy Higgins
• Featured soloists include Gautier Capuçon, Demarre McGill, and Yuja Wang 

San Francisco Symphony Conducting Debuts and Returning Conductors 

• San Francisco Symphony Orchestral Series debuts by nine visiting conductors: Gustavo Gimeno, Giancarlo Guerrero, Klaus Mäkelä, Michael Morgan, Perry So, Ruth Reinhardt, Daniel Stewart, Nathalie Stutzmann, and Xian Zhang
• Conductor Laureate Herbert Blomstedt, San Francisco Symphony Chorus Director Ragnar Bohlin, Karina Canellakis, Gustavo Dudamel, Christoph Eschenbach, Ton Koopman, and Simone Young return to conduct the San Francisco Symphony

Guest Artists Perform with the San Francisco Symphony

• Alonzo King LINES Ballet, J’Nai Bridges, Claire Chase, Aaron Diehl, Pekka Kuusisto, Demarre McGill, Víkingur Ólafsson, Esperanza Spalding, Wu Wei, and Melody Wilson, among others, make San Francisco Symphony Orchestral Series debuts
• Pierre-Laurent Aimard, Yefim Bronfman, Gautier Capuçon, Leila Josefowicz, Jean-Yves Thibaudet, Daniil Trifonov, Yuja Wang, and Alisa Weilerstein, among others, return to perform with the San Francisco Symphony 

Recitals: Great Performers Series and Spotlight Series

• Soloists and ensembles presented by the Great Performers Series include Academy of St Martin in the Fields and Joshua Bell, Ray Chen, Hélène Grimaud, Sheku Kanneh-Mason with Isata Kanneh-Mason, Evgeny Kissin, Lang Lang, Itzhak Perlman, and Yuja Wang 
• Collaborative Partner and classical singer Julia Bullock performs History’s Persistent Voice with members of the San Francisco Symphony
• Mezzo-soprano Sasha Cooke performs How Do I Find You with pianist Kirill Kuzman, a program of 17 world premieres written for Cooke during the Covid-19 pandemic
• New Spotlight Series features San Francisco Symphony recital debuts by pianist Drew Petersen, violinist Randall Goosby with pianist Zhu Wang, violinist Noa Wildschut with pianist Elisabeth Brauss, and cellist Ifetayo Ali-Landing with pianist Minhye Choi

SoundBox

• Eighth season of experimental SoundBox series features four live programs, curated by drummer and producer Quentin Baxter, composer and conductor Jamie Man, Collaborative Partner and violinist Pekka Kuusisto with composer and developer Jesper Nordin, and composer and multi-instrumentalist Tyshawn Sorey

Premieres and Commissions

• World premiere of San Francisco co-commission Song of the Flaming Phoenix (火凤凰的笙音), a new concerto for sheng written by Fang Man, performed by Wu Wei, and conducted by Esa-Pekka Salonen
• World premiere of John Corigliano’s Saxophone Concerto, a San Francisco Symphony commission performed by Timothy McAllister and conducted by Giancarlo Guerrero
• World premiere of San Francisco Symphony commission Concerto for Trombone, written and performed by San Francisco Symphony Principal Trombone Timothy Higgins and conducted by Michael Tilson Thomas
• World premieres of new San Francisco Symphony commissions by Camille Norment and Cécile McLorin Salvant, alongside works by Tania León, Allison Loggins-Hull, Jessie Montgomery, Carolyn Yarnell, and Pamela Z performed by Julia Bullock in History’s Persistent Voice
• World Premieres of 17 new works for voice and piano performed by Sasha Cooke and Kirill Kuzmin in How Do I Find You
• United States premiere of San Francisco Symphony co-commission Bryce Dessner’s Violin Concerto, performed by Pekka Kuusisto and conducted by Esa-Pekka Salonen 
• West Coast premieres of Unsuk Chin’s Subito con Forza, conducted by Gustavo Gimeno, and San Francisco Symphony co-commission Piano Concerto by Mason Bates, performed by Daniil Trifonov and conducted by Ruth Reinhardt
• San Francisco Symphony Orchestral Series premieres of works by John Adams, Lili Boulanger, Unsuk Chin, Anna Clyne, Antonio Estévez, Adolphus Hailstork, Anders Hillborg, Hannah Kendall, Texu Kim, Zhou Long, Jimmy López, Fanny Mendelssohn, Nokuthula Ngwenyama, Elizabeth Ogonek, Younghi Pagh-Paan, Astor Piazzolla, Florence Price, Kaija Saariaho, Carlos Simon, William Grant Still, Steven Stucky, Lotta Wennäkoski, and Takashi Yoshimatsu, among others

San Francisco Opera 2021-22 Season

War Memorial Opera House

December, 2019

Photo by Lisa Hirsch

Yes, it's several days after the season announcement and I'm just getting to blog about the upcoming SFO season. It is...incredibly cautious, in repertory, scheduling, and health. They are very clear that this is a "transitional" season. The centennial season, 2022-23, had better be a humdinger, after this. NOT THAT THEY ARE BREATHING A WORD ABOUT IT.

Regarding health, here's how the fall season will start, at least through the performances of the opening opera:

• Upon entry, patrons will be required to show proof of full vaccination (defined as two weeks after final shot) or a negative COVID-19 PCR test taken within 72 hours of performance or antigen test taken within 1 day of performance (paper or electronic/photo documentation), along with a photo ID.

• All patrons—including those who have received a COVID-19 vaccine—will be required to wear a face mask while attending performances.

• Safety protocols include enhanced cleaning practices and availability of hand sanitizer stations throughout the building. Ventilation systems in the War Memorial Opera House meet Center for Disease Control (CDC) guidelines. All front-of-house and backstage employees will follow rigorous safety protocols including a vaccination requirement.

• The Box Office will seat one production at a time and use buffer seats (keeping one seat free between parties).

• Tickets must be purchased in advance either by phone or online; at this time, tickets are not available for in-person purchase.

• All ticket exchange fees are eliminated for the current season. Exchanges will be accepted up to two hours before the performance. 

• For a touchless experience, tickets will be delivered digitally (print-at-home and mobile). In lieu of printed program books, a digital program will be available. 

• The Opera is working with the War Memorial and Global Gourmet to offer concessions to patrons, including limited food and beverage service. Plans for pre-opera talks are being developed. More information will be available soon.

SFS is selling seats up to capacity, for contrast. That business of the Box Office seating one production at a time? Yikes. That's a lot of overhead. Of course, the possibility of updating the above does mean that by August, SFO could decide to just send out a season's worth of tickets to subscribers.

The fall season will be done in stagione style, where only one opera at a time is performed. That will reduce costs: each production has to be set up and struck just once. Too bad if you're coming from another location: you'll have to return for each production instead of coming for a busy weekend with three operas.

I'm getting briefly up on a soapbox here to say that Global Gourmet, which replaced the previous food service provider, isn't as good. The buffet was diminished and the one dessert I had was allegedly panna cotta, but it had the texture of something much denser. Also, for a while coffee was served on an honor system of some kind, where you bought a cup and then served yourself. That reverted to the person behind the counter having to serve you, which wildly slowed down the lines. Look, Seattle Opera has had an honor system for coffee since 2003 and it works very well for them! There are multiple stations on every floor where you leave your cash, grab a cup, and drink as much as you'd like. I saw something like this in Disney Hall last time I was there, too. It works! Trust your patrons! Make life easier for us!

On the positive side

Eun Sun Kim takes charge as SFO's music director!

The seat replacement project is complete!

There are accessibility improvements!

On the not-so-positive side

On to the actual season, which, well, see for yourself:

• Aug. 21, 27, 29, Sept. 3, 5 - Puccini’s Tosca - Kim, conductor;  Shawna Lucey, stage director; Robert Innes Hopkins, production designer; the cast includes Ailyn Perez, Michael Fabiano, and Alfred Walker
• Sept. 10 - “Live and in concert: The Homecoming” in the War Memorial and a free live simulcast to Oracle Park, conducted by Kim,  featuring Rachel Willis-Sorensen and Jamie Barton
• Oct. 14, 17, 20, 22, 26, 30 - Beethoven’s Fidelio - new production,   Kim, conductor; Matthew Ozawa, stage director; Alexander V. Nichols, production designer; the cast includes Elza van den Heever,  Russell Thomas, Greer Grimsley, James Creswell, Soloman Howard,  Anne-Marie MacIntosh, Christopher Oglesby
• Nov. 21, 23, 27, Dec. 1, 3 - Mozart’s Cosi fan tutte - new production,  Henrik Nanasi, conductor;  Michael Cavanagh, stage director; Erhard Rom, production designer; the cast includes Nicole Cabell, Irene Roberts, Ben Bliss, John Brancy, Ferruccio Furlanetto, Nicole Heaston
• Dec. 10 - “The Future is Now” Adler Fellows Concert (in Herbst Theater)
• June 4, 10, 12, 15, 18, 21, 26. July 2 -  Mozart's Don Giovanni - new production, Bertrand de Billy, conductor; Michael Cavanagh, stage director; Erhard Rom, production designer ; the cast includes Etienne Dupuis, Adela Zaharia, Carmen Giannattasio, Amitai Pati, Luca Pisaroni, Christina Gansch, Soloman Howard
• June 14, 17, 19, 23, 25, July 1, 3 - Bright Sheng’s Dream of the Red Chamber - Darrell Ang, conductor; Stan Lai, stage director; Tim Yip, production designer; cast includes Meigui Zhang, Yijie Shi, Hyona Kim, Karen Chia-ling Ho, Hongni Wu, Sabina Kim, Guang Yang
• June 30 - Verdi Concert, Kim conductor, with Nicole Car,  Arturo Chacon-Cruz, Soloman Howard

One Puccini, one Beethoven, two Mozart, one Sheng, plus concerts. That's right, it's a season of five operas. LA Opera, which generally has a much smaller budget than SF, and whose endowment is literally one-tenth of SF's, has a much more varied season, which is a shocker. 

What do I like here? Well, we'll see more of Eun Sun Kim. That Tosca cast is attractive, and it's nice that SFO has noticed that more than one tenor knows the role of Cavaradossi. (Fabiano should be wonderful.) Willis-Sorensen and Barton are both terrific singers. Elza van den Heever (welcome back) after thirteen years) and Russell Thomas, nice pairing! It's always good to revive a company commission, but I admit: I would have picked Dolores Claiborne over Dream of the Red Chamber. Still, I have to commend this.  I'm happy to see some of these singers back and I look forward to hearing those who are new to me.

What don't I like? Timidity. Also, Don Giovanni, which presumably will be in the international version, which is too long and incoherent for my taste. It's....kind of a dull season.

What do I hope for? Well, considering the works left on the sidelines by the pandemic: Der Zwerg, The Revolution of Steve Jobs, and The Handmaid's Tale. Maybe we'll get those in the centennial season or some other future season. It's no secret that SFO is one of several organizations that commissioned the new Saariaho opera, which the Aix-en-Provence Festival premieres this summer. What about the opera John Adams is allegedly working on for SF, Anthony and Cleopatra?

 

San Francisco Opera Announces Date of Season Announcement

All right, here's news about the news we've all been waiting for: San Francisco Opera will announce the 2021-22 season in two weeks, on Tuesday, June 22, 2021, at 4 p.m. Pacific Time:

THE GOLDEN CURTAIN RISES AGAIN

JOIN US IN THE HOUSE THIS FALL

In just a few short weeks, San Francisco Opera will announce its programming for this upcoming season. After well over 500 days out of our beloved opera house, we are beyond excited for the return of live opera on our own stage and Eun Sun Kim's inaugural year as music director.

We hope you will join us on June 22 for the reveal of this exciting season ahead!

You can register at this URL. Note that you will be asked to log in.

Season Announcement Season: Carnegie Hall

Alex Ross notes that Carnegie Hall has announced its 2011-12 season, with a hat tip to MTT's Carnegie showing of his American Mavericks series. I'm personally pleased to see that the JACK Quartet is playing Ruth Crawford Seeger's string quartet.

If you live in the Bay Area, or if you're me, another item that might catch your eye as especially memorable is the news that Kaija Saariaho will hold the Richard and Barbara Debs Composer's Chair for the season.

If you want to see what's on offer in plain HTML, start here. The electronic version of the season brochure is, I'm sure, entertaining to view, but not on this slow and stupid old computer. (Note to web designers: you get the most flexible and usable designs when you assume that everybody has a slow and stupid old computer.)

Visiting orchestras include the Mariinsky, Philadelphia, Budapest Festival, San Francisco, American Composers, Metropolitan Opera, Minnesota, Atlanta, ORR, Baltimore, London Phil, Berlin Phil, VPO, Boston, St. Luke's, NYPO, and Cleveland. Recitals of note include singers Karita Mattila, Susan Graham, Ian Bostridge, and Matthias Goerne. (Be still, my heart.) Oh, and the pianist with Bostridge? THOMAS ADES. Also: plenty of great pianists and string quartets.

Season Announcement Season

I have the first of what will be about two thousand season announcements in hand:

• Spoleto Festival USA, May 27-June 12, Charleston, SC. Operas: Kaija Saariaho's Emilie, with Elizabeth Futral (Karita Mattila sang the premier; sigh); The Medium, in celebration of Gian Carlo Menotti's centenary; The Magic Flute. The St. Lawrence String Quartet, pianist Inon Barnaton, and other musicians will be in residence playing chamber music; also conductor James Gaffigan. There are tons of chamber music concerts scheduled, not much, yet, about repertory.
• Seattle Opera's 2011-12 season features Porgy and Bess, Madama Butterfly (with Patricia Racette, yay, and Stefano Secco, sigh), Carmen (zzzz), Attila (with John Relyea), and Orpheus and Eurydice.