Jamez McCorckle and members of the San Francisco Opera Chorus
Omar, Act 2
Photo: Cory Weaver/San Francisco Opera
I filed my Omar review early this morning, after wrestling with it quite a bit: I have two different saved version of it, and when I filed, I was somewhat unhappy with it. My editors tightened it up, but I realized I was more equivocal about it than my review conveyed. So I added a bit to make that clearer. Still, the length of my review kept it less focussed than it could have been.
- Joshua Kosman, S.F. Chronicle. I can't argue with any of the points he makes about the opera's weaknesses or strengths.
- Lisa Hirsch, SFCV. The headline was up before my addition and isn't what I would have chosen. The second act really has problems. I do think Omar will be a hit, though, for its beauty and the excellence of the performers.
- Opera Tattler
- Michael Anthonio, Parterre Box
- Patrick Vaz, The Reverberate Hills
- Michael Strickland, SF Civic Center
- Caroline Crawford, Bay City News at SF Gate
Previously:
- Maura Hogan, The Post and Courier
- Alex Ross, The New Yorker. "...the strength of the conception lies less in its narrative energy than in its ritual atmosphere."
- Charles McNulty, LA Times theater critic. He notes right off the bat that Omar is "too fluid to be classified in discrete musical or dramatic genres."
- Edward Ball, NY Review of Books
2 comments:
Thanks for providing this review and the links to others. I'll be interested to see if the creative team makes any revisions before the opera goes out to other companies.
Not likely. It's already been done at two or three other companies.
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