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Rubin Panel
This year, especially, the Rubin Institute for Music Criticism panel is way too homogenous: eight white-presenting men and two white-presenting women; eight from the east coast, one from the west, one bicoastal. I'd be curious about the minimum age of the participants. At this historical moment, it's not a good look. I'm seeing a lot of good discussions about white supremacy in classical music on Twitter, and, well.....
I hope that those who run the Rubin Institute are thinking about this, and trying to figure out how to broaden the panel in various ways. I mean, I can certainly think of a few folks who would be great to have on this panel.
